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UCCELLO, Paolo Portrait of a Lady at 1450s
Oil on canvas, 39 x 26 cm
Metropolitan Museum of Art, New York
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UCCELLO, Paolo St. George and the Dragon at c. 1456
Oil on canvas, 57 x 73 cm
National Gallery, London
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UCCELLO, Paolo St George and the Dragon qt 1458-60
Oil on canvas, 52 x 90 cm
Mus??e Jacquemart-Andr??, Paris
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UCCELLO, Paolo The Hunt in the Forest aer 1460s
Tempera on wood, 65 x 165 cm
Ashmolean Museum, Oxford
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UCCELLO, Paolo Five Famous Men er c. 1450
Tempera on wood, 43 x 210 cm
Mus??e du Louvre, Paris
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UCCELLO, Paolo Five Famous Men (detail) r c. 1450
Tempera on wood
Mus??e du Louvre, Paris
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UCCELLO, Paolo Five Famous Men (detail) wt c. 1450
Tempera on wood
Mus??e du Louvre, Paris
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UCCELLO, Paolo Equestrian Portrait of Sir John Hawkwood (mk08) 1436
Fresco,transferred to canvas
732x404cm
Florence,Duomo
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UCCELLO, Paolo St George and the Dragon (mk08) c.1455
Tempera on canvas.
57x74cm
London,National Gallery
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UCCELLO, Paolo Battle of San Romano (mk08) c.1456
Tempera on wood
182x317cm
London,National Gallery
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UCCELLO, Paolo Battle of San Romano (mk08) Tempera on wood
182x323cm
Paris Musee National du Louvre
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UCCELLO, Paolo Battle of San Romano (mk08) c.1456
Tempera on wood
180x316cm
Paris Musee National du Louvre
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UCCELLO, Paolo The Battle of San Romano (nn03) c 1450 Tempera on panel 182 x 320 cm
71 1/2 x 126 in National Gallery London
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UCCELLO, Paolo Teh Battle of San Romano mk67
Tempera on panel
71 11/16x127 3/16in
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UCCELLO, Paolo Disputation of St Stephen c. 1435
Fresco, 300 x 360 cm
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UCCELLO, Paolo Stoning of St Stephen c. 1435
Fresco
310 x 420 cm
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UCCELLO, Paolo Mary's Presentation in the Temple c. 1435
Fresco,
335 x 420 cm
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UCCELLO, Paolo Roundel with Head c. 1435
Fresco
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UCCELLO, Paolo Creation of the Animals and Creation of Adam 1432-36
Fresco,
244 x 478 cm
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UCCELLO, Paolo Birth of the Virgin mk83
c.1435
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UCCELLO, Paolo
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Italian Early Renaissance Painter, 1397-1475
Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
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